Last time on AMV Theater, a series of anime music video recommendation posts, we looked back at my introduction to AMVs and the origin of the art form. This time, we’ll be watching recent AMVs (made in the last decade) of classic anime (over 20 years old). AMVs can be a great introduction to an anime, particularly if it’s an older title. Not all the anime featured in this post are necessarily “obscure,” but it can still be difficult to find engaging modern AMVs of them. A couple of these are even the same anime I showcased last time, but I told you my preferences are going to be apparent.
Thank you to everyone who attended our panel Beyond Yuri!!! on Ice: LGBTQ Anime and Manga at Sakura-con 2017 (or wanted to and didn’t get in)! We didn’t expect so many people and were incredibly grateful for the support. We plan to run this panel again with better structure, hopefully new anime and manga to talk about, and actually time for questions and discussion! For now, here is the gist of what we covered at Sakura-con, including more detail on topics we had to rush through because of time. So even if you attended the panel, you should take a look at our full post:
The title isn’t a knock on Yuri!!! on Ice at all. (We hosted this panel cosplaying Yuri and Victor, after all.) Rather, we want to use its popularity as a springboard to bring attention to other anime and manga that feature LGBTQ themes and issues. To clarify, we mean to cover a variety of manga and anime that portray LGBTQ themes in positive, negative, and mixed ways. This includes some gross stereotypes and tired tropes, given that they can affect what may be seen as LGBTQ representation. (In other words, keep in mind that we’ll be talking about homophobic, transphobic, and gender essentialist content.) Anime or manga that use the words lesbian, gay, bi, trans, and queer are rare; but we’re working with those that come as close to it as possible. By the way, we won’t be including adaptations of video games, visual novels, and light novels because it would simply get too long. Those mediums have unique histories and formats that require analysis outside the scope of this panel. We’ll be making only a few exceptions as necessary.
Though as a disclaimer, when it comes to our criticism, we don’t mean it as a personal condemnation or attack on anyone who enjoys any work we discuss in a critical manner. Both of us love most of the media that we cover here, even when they’re deeply flawed. Obviously, fans aren’t synonymous with all the problematic ideas a story can contain and perpetuate. We think critical analysis of media is important and even when we love something or think that it’s important, doesn’t mean it’s excused from critique. If everyone can agree on one thing, it’s that media can have great impact, positive and negative, which is worth some discussion at least.
Also, when it comes to most of the Japanese creators we talk, we only know so much about their identities and private lives. Most of those that are openly out as LGBTQ are mangaka, and still, many mangaka who makes LGBTQ content work under aliases and are fairly private about themselves. Between this and the culture and language barriers, we try not to assume too much about the creators themselves. Rather, we can only judge them by the content of their works and how they may resonate or not.
We will also be including LGBTQ history and topics in Japan to give context and see how they connect to anime and manga. The only spoilers we’ll discuss will be relevant to the LGBTQ content. If you were recommended an anime on the basis it has a gay character but it turned out they were actually straight or they die you’d want to know beforehand, right? We’re sorry if we don’t mention your favorite anime and manga, but it’s impossible for us to know and cover everything. We’ve aimed to include a variety of works with major LGBTQ characters and themes, but more importantly manga by LGBTQ creators. We’re also prioritizing those that are legally available in the United States, unless they’re historically important or otherwise significant.
With that in mind, here we go!
I wish I could say March 27th 2014 was the day “Goto-san, let’s get married!” was heard ’round the world as the series finale of Samurai Flamenco aired. Unfortunately, many viewers had abandoned Samurai Flamenco along its broadcast or simply weren’t watching it to begin with like myself. Thankfully the sliver of attention a marriage proposal between men characters received convinced me to check out what became one of my favorite anime series for its exploration of immaturity, nostalgia, social misfits, queerness, and love. I know it’s a silly show, but I like to take it seriously too.
Samurai Flamenco follows a young man named Masayoshi in his effort to become a superhero like those of tokusatsu he’s idolized all his life. On his first patrol, he winds up stripped of his homemade costume and accused of public indecency by a police officer named Goto. Instead of arresting him, Goto hears him out and becomes the confidant of the city’s mysterious vigilante. The sensible Goto and eccentric Masayoshi naturally clash, but their teamwork forms the heart of the show. Masayoshi also joins forces with a powerless but destructive magical girl named Mari, plus her sidekicks Moe and Mizuki. Mari and Moe are already a couple, but Masayoshi’s love story is just beginning…
This post contains spoilers for Samurai Flamenco from the seventh episode to the end. This show takes many twists and turns so if you wish to experience it unspoiled, I recommend watching it (on Crunchyroll, Netflix, Hulu, etc.) before reading on. The streams tragically don’t have the polish of the Blu-ray version, however.
Anime music videos, fan-edited videos of anime clips set to songs, have such a presence in my life I forget other people aren’t as familiar or invested in them. If anything other people only seem to enjoy them ironically. I don’t make them anymore, but I have a deep love for AMVs and watch them regularly. I figure if others aren’t going to watch them as much as I do, I can recommend my favorites to you and explore the artistry of AMVs in a series of blog posts. I like fan-edited videos of other mediums as well, so those are bound to pop up along the way.
The longer this series goes on I’m sure my preferences in editing style, source material, and subject matter will become clear; when there are many more sorts of AMVs out there. Maybe I can spark interest in them to make you explore them yourself. As for me, my investment in AMVs began around 2007 when my growing interest in anime and the quick rise of YouTube collided in discovering a magnificent Princess Tutu AMV.
It’s been a while… and it’s been quite a year. For now, Malia and Karleen are looking back at their favorite fiction from the past year. Not necessarily the best, but the favorites. In a year like 2016, our comforts and catharsis are all the more important.
Here’s my second lecture-style panel from this year’s Kumoricon. Again keep in mind this lacks the slideshow, delivery, and discussion time of the full panel.
Among the many manga by Go Nagai, this tale of a virtuous young man with demonic power stands apart with chilling art and poignant story. Since the 1970s, the Devilman universe has expanded with spinoffs and adaptations as well as influenced modern creators. There is a lot of Devilman-related media out there and it would be impossible for me to talk about everything, so I’m sticking to ones I consider important or noteworthy or just a personal favorite. It will be difficult, but spoilers will be kept to a minimum in this panel. One big spoiler in particular cannot be avoided, so I’ll only partially talk about it. If you’ve already read Devilman, you can probably guess what I’m talking about.