I wish I could say March 27th 2014 was the day “Goto-san, let’s get married!” was heard ’round the world as the series finale of Samurai Flamenco aired. Unfortunately, many viewers had abandoned Samurai Flamenco along its broadcast or simply weren’t watching it to begin with like myself. Thankfully the sliver of attention a marriage proposal between men characters received convinced me to check out what became one of my favorite anime series for its exploration of immaturity, nostalgia, social misfits, queerness, and love. I know it’s a silly show, but I like to take it seriously too.
Samurai Flamenco follows a young man named Masayoshi in his effort to become a superhero like those of tokusatsu he’s idolized all his life. On his first patrol, he winds up stripped of his homemade costume and accused of public indecency by a police officer named Goto. Instead of arresting him, Goto hears him out and becomes the confidant of the city’s mysterious vigilante. The sensible Goto and eccentric Masayoshi naturally clash, but their teamwork forms the heart of the show. Masayoshi also joins forces with a powerless but destructive magical girl named Mari, plus her sidekicks Moe and Mizuki. Mari and Moe are already a couple, but Masayoshi’s love story is just beginning…
This post contains spoilers for Samurai Flamenco from the seventh episode to the end. This show takes many twists and turns so if you wish to experience it unspoiled, I recommend watching it (on Crunchyroll, Netflix, Hulu, etc.) before reading on. The streams tragically don’t have the polish of the Blu-ray version, however.
Continue reading “Reflecting on Samurai Flamenco”
Let me state upfront: I am adopted. I was born in China, when the one child policy was still in effect, and then placed in an orphanage when I was still an infant. Months later I was adopted and taken to America. This the context and reason for me writing this piece.
Spoiler Warning: I talk about some specific scenes, characters arcs, and allude to the ending.
Continue reading “The Problem with the Problem Child: Personal Thoughts on Lion”
Anime music videos, fan-edited videos of anime clips set to songs, have such a presence in my life I forget other people aren’t as familiar or invested in them. If anything other people only seem to enjoy them ironically. I don’t make them anymore, but I have a deep love for AMVs and watch them regularly. I figure if others aren’t going to watch them as much as I do, I can recommend my favorites to you and explore the artistry of AMVs in a series of blog posts. I like fan-edited videos of other mediums as well, so those are bound to pop up along the way.
The longer this series goes on I’m sure my preferences in editing style, source material, and subject matter will become clear; when there are many more sorts of AMVs out there. Maybe I can spark interest in them to make you explore them yourself. As for me, my investment in AMVs began around 2007 when my growing interest in anime and the quick rise of YouTube collided in discovering a magnificent Princess Tutu AMV.
Continue reading “AMV Theater: Beginnings”
It’s been a while… and it’s been quite a year. For now, Malia and Karleen are looking back at their favorite fiction from the past year. Not necessarily the best, but the favorites. In a year like 2016, our comforts and catharsis are all the more important.
Continue reading “Favorites of 2016”
Here’s my second lecture-style panel from this year’s Kumoricon. Again keep in mind this lacks the slideshow, delivery, and discussion time of the full panel.
Among the many manga by Go Nagai, this tale of a virtuous young man with demonic power stands apart with chilling art and poignant story. Since the 1970s, the Devilman universe has expanded with spinoffs and adaptations as well as influenced modern creators. There is a lot of Devilman-related media out there and it would be impossible for me to talk about everything, so I’m sticking to ones I consider important or noteworthy or just a personal favorite. It will be difficult, but spoilers will be kept to a minimum in this panel. One big spoiler in particular cannot be avoided, so I’ll only partially talk about it. If you’ve already read Devilman, you can probably guess what I’m talking about.
Continue reading “Intro to Devilman, a Demonic Manga Masterwork”
Last weekend was my seventh year attending Kumoricon, but my first year there as a panelist. The first of my lecture-style panels was an Intro to the Works of Yuhki Kamatani. I plan to bring this panel to future conventions with modifications and possibly a different title, but for now here is a blog post version of my script. Keep in mind this lacks the slideshow, delivery, and discussion time of the full panel.
Yuhki Kamatani combines lovely artwork and progressive story in exploring adolescence, such as their best known manga Nabari no Ou. Their latest manga looks at LGBTQ identity, informed by their experience as nonbinary and asexual. Since this is an “introduction,” I will avoid spoilers for these manga. Some developments and reveals will be discussed, but nothing that would ruin your experience if you want to read them for yourself.
Continue reading “Intro to the Works of Yuhki Kamatani”
Upon graduating college, I read more books for fun for the summer than I had in years. No reading guide helped me, it was a mix of ones I had been interested in for a while and ones that I had picked up randomly. I can’t say I was too adventurous but it was so good just to read again for myself. Though usually I stick with YA for pleasure reading, I’m proud to say I expanded out a bit.
So I decided to cobble up a list of what I had read from June to August, all checked out from the library. There’s of course other things I read over the summer, but mainly incomplete online serials. I waffled between including the little bit of manga I read or not but they were legitimate stories as anything else.
I was planning to having star or fraction ratings but then that would put me in a weird position. How I feel about a piece of media is a messy combination of complicated things: How I felt engaging with it in the moment, how much of an impact it left on me, how genuinely well-crafted I think it is, etc. So I just decided to summarize some feelings and thoughts without explicit spoilers and say if I recommend it or not (to a general audience). This is mostly in the order I read everything.
Continue reading “Malia’s Summer Reading 2016”
The release of Jughead #9 on September 7th is right around the corner. Before the issue introduces the comic’s new writer Ryan North, let’s look back at the first eight issues written by Chip Zdarsky and mostly illustrated by Erica Henderson. When the new Jughead series started in 2015, I had no idea how important it would end up being to me personally. I wasn’t even aware of its publication at the time. That all changed in February when various sites were reporting on the reveal in #4 that Jughead is asexual.
Continue reading “Farewell to Zdarsky and Henderson’s Jughead”
Mickey Quinn is one of my favorite artists. I’ve followed her for over five years and her artistic growth has been incredible to follow in that time. Seriously, check her out.
Originally I followed her for her self-published story, Best Friends Forever, or BFF. Yesterday, she announced its end before its narrative completion. I could touch on many topics related to her announcement but I’d rather talk about the webcomic itself and what it’s meant to me.
Continue reading “A Reflection on BFF”
So, Glee. It’s only 2016, so just a little over a year since it officially ended though at least a few years since its actual.
There’s a lot that’s already been said about this show: It’s innovative, it’s messy, it’s breaking down cultural barriers, it treats everyone horribly and is proud of it, etc. Sometimes it worked and sometimes it didn’t. I can’t imagine I’ll add much new discourse or insight about it but, as a personal curiosity and project, I can try to dig at what struck a nerve during my teenage years and see what still holds up (or at least taps into my nostalgia and fondness).
Basically, I’m going to watch it all, because Netflix is an amazing convenience and enabler. About half of it will be a rewatch and the other half is brand new to my jaded eyes (though I did watch the series finale and read plenty of spoilers). So something like a recap and review series. I was planning to do a post for every episode but there’s six seasons with 121 episodes. No one needs that. I’ll probably just post every few or several episodes with some single episodes highlighted? It depends on how I feel. Also I’m calling it “Glee Club Reunion.”
To be upfront about a few things:
- I hate Will Schuester. I didn’t always hate him but I’ll get into that later.
- I like Puck a lot, but I feel very dubious about Mark Salling, given the news of being charged with possession of child pornography. I don’t feel too uncomfortable talking about his character, as they are separate, but I wanted to be clear about this.
- I’m quite critical of the show. I have affection for it but it’s deeply, deeply flawed. This is a way of revisiting my criticisms of a teenager and seeing if those are still valid, as well as remember what worked.
- I have, frankly, fairly bad taste in music. I have plenty of songs I would die on a hill for, but I’m also down for a lot of mediocre pop garbage. And some ballads. Guaranteed, no matter what episode, I will like at least one song. So I’ll have a bit at the end about which songs I like and dislike (I might make a playlist of my favorites later.)
- I’m not a film major, or an English, or any sort of expert in anything about storytelling. I just have my thoughts and my feelings that I’ll try my best to articulate.
- Will Schuester is a badly written character.
Anyway, I watched the pilot last night.
Continue reading “Glee Club Reunion #1”