For this month, the LGBTQ Manga Book Club will spend some time with a late September release, Sweet Blue Flowers by Takako Shimura. Published by VIZ, it’s now available in paperback or digital format, as of September 19th. It’s an omnibus, like My Brother’s Husband, combining the first and second volumes of the Japanese edition. The story follows Fumi and Akira, both childhood friends who lost contact after one of them moved away. Ten years later, they reunite as they enter high school. They attend different schools but their friendship reignites as they both navigate the new changes in their lives and grow up. Warning: this volume contains incestuous child abuse and sexual harassment of teenagers.
After two pricey new releases, this month the LGBTQ Manga Book Club is looking at an older title accessible for free: Rica ‘tte Kanji!? by lesbian artist Rica Takashima. The omnibus Tokyo Love is available to read online for free or for purchase in English by ALC Publishing. Although the protagonist shares a name with the mangaka, the manga follows the fictional adventures of a young lesbian who moves to Tokyo and meets her first girlfriend. Be warned it contains brief instances of sexual content, attempted sexual assault, and transmisogyny.
Happy Pride Month! Here is the second installation of the online monthly LGBTQ Manga Book Club: My Lesbian Experience with Loneliness by Kabi Nagata! The manga is available in English from Seven Seas Entertainment in paperback or digital as of June 6th. Nagata illustrates how her mental illness, employment struggles, and desperation for affection led to hiring a lesbian escort in this autobiographical manga. Be warned it contains depictions of self-harm, disordered eating, and sexual content.
After the positive response to our Beyond Yuri on Ice: LGBTQ Anime and Manga panel and blog post, we wanted to engage with those anime and manga on a new level. It’s one thing to hear about a work of fiction in an overview of many, and another to experience it yourself. To encourage that we’re starting a monthly LGBTQ Manga Book Club! We say manga book club, but it will occasionally include anime. Discussion will take place in WordPress comments as well as a Goodreads group. Goodreads is a social network based around books, such as sharing what you read and writing reviews. The book club group has a forum for discussion and a reference “bookshelf” of manga with LGBTQ themes.
Whether manga or anime, the monthly media will be on the shorter side. May’s manga is only one book: the first volume of My Brother’s Husband by Gengoroh Tagame! Available in English as of yesterday in hardcover or digital! The English version combines the first and second volumes of the Japanese edition. The manga is seen from the point of view a straight Japanese man named Yaichi, who learns not only is his twin brother dead but he was married to a white Canadian man for ten years. Mike, the husband, moves in with Yaichi and his daughter Kana. Yaichi must confront his prejudice in a story of family, discrimination, identity, and cultural difference. Be warned this includes depiction of heterosexism/homophobia, slurs, and death of family members.
Thank you to everyone who attended our panel Beyond Yuri!!! on Ice: LGBTQ Anime and Manga at Sakura-con 2017 (or wanted to and didn’t get in)! We didn’t expect so many people and were incredibly grateful for the support. We held this panel again at Kumoricon 2017 in two parts. Thank you to everyone who attended at either convention! Now that it’s been a year since Yuri!!! on Ice aired, this panel has been retired but the transcript will remain. Keep in mind this post lacks the slideshow, delivery, and discussion time of the full panel.
The title isn’t a knock on Yuri!!! on Ice at all. (We hosted this panel cosplaying Yuri and Victor, after all.) Rather, we want to use its popularity as a springboard to bring attention to other anime and manga that feature LGBTQ themes and issues.
We’ll be covering a variety of manga and anime that portray LGBTQ themes in positive, negative, and mixed ways. This includes some gross stereotypes and tired tropes, given that they can affect what may be seen as LGBTQ representation. (In other words, keep in mind that we’ll be talking about homophobic, transphobic, and gender essentialist content.) Anime or manga that use the words lesbian, gay, bi, trans, and queer are rare; but we’re working with those that come as close to it as possible. By the way, we generally won’t be including adaptations of video games, visual novels, and light novels because it would simply get too long. Those mediums have unique histories and conventions that require analysis outside the scope of this panel.
We will also be including LGBTQ history and topics in Japan to give context and see how they connect to anime and manga. The only spoilers we’ll discuss will be relevant to the LGBTQ content. If you were recommended an anime on the basis it has a gay character but it turned out they were actually straight or they die you’d want to know beforehand, right? We’re sorry if we don’t mention your favorite anime or manga, but it’s impossible for us to know and cover everything. We’ve aimed to include a variety of works with major LGBTQ characters and themes, but more importantly manga by LGBTQ creators. We’re also prioritizing those that are legally available in the United States, unless they’re historically important or otherwise significant.
As a disclaimer, when it comes to our criticism, we don’t mean it as a personal condemnation or attack on anyone who enjoys any work we discuss. Both of us love most of the media that we cover here, even when they’re deeply flawed. Obviously, fans aren’t synonymous with all the problematic ideas a story can contain and perpetuate. We believe critical analysis of media is important and even when we love something or think that it’s important, that doesn’t mean it’s excused from critique. If everyone can agree on one thing, it’s that media can have great impact, positive and negative, which is worth discussion.
Also, it should go without saying this panel comes from a Western perspective to a Western audience. We’ve aimed to incorporate Japanese perspectives and insights and find our common ground as LGBTQ folk and build a bridge between cultures. When it comes to most of the Japanese creators we talk about, we only know so much about their identities and private lives. Between this and the culture and language barriers, we try not to assume too much about the creators themselves. Rather, we can only judge them by the content of their works and how they may or may not resonate.
With that in mind, here we go!
I wish I could say March 27th 2014 was the day “Goto-san, let’s get married!” was heard ’round the world as the series finale of Samurai Flamenco aired. Unfortunately, many viewers had abandoned Samurai Flamenco along its broadcast or simply weren’t watching it to begin with like myself. Thankfully the sliver of attention a marriage proposal between men characters received convinced me to check out what became one of my favorite anime series for its exploration of immaturity, nostalgia, social misfits, queerness, and love. I know it’s a silly show, but I like to take it seriously too.
Samurai Flamenco follows a young man named Masayoshi in his effort to become a superhero like those of tokusatsu he’s idolized all his life. On his first patrol, he winds up stripped of his homemade costume and accused of public indecency by a police officer named Goto. Instead of arresting him, Goto hears him out and becomes the confidant of the city’s mysterious vigilante. The sensible Goto and eccentric Masayoshi naturally clash, but their teamwork forms the heart of the show. Masayoshi also joins forces with a powerless but destructive magical girl named Mari, plus her sidekicks Moe and Mizuki. Mari and Moe are already a couple, but Masayoshi’s love story is just beginning…
This post contains spoilers for Samurai Flamenco from the seventh episode to the end. This show takes many twists and turns so if you wish to experience it unspoiled, I recommend watching it (on Crunchyroll, Netflix, Hulu, etc.) before reading on. The streams tragically don’t have the polish of the Blu-ray version, however.
It’s been a while… and it’s been quite a year. For now, Malia and Karleen are looking back at their favorite fiction from the past year. Not necessarily the best, but the favorites. In a year like 2016, our comforts and catharsis are all the more important.
Last weekend was my seventh year attending Kumoricon, but my first year there as a panelist. The first of my lecture-style panels was an Intro to the Works of Yuhki Kamatani. I plan to bring this panel to future conventions with modifications and possibly a different title, but for now here is a blog post version of my script. Keep in mind this lacks the slideshow, delivery, and discussion time of the full panel.
Yuhki Kamatani combines lovely artwork and progressive story in exploring adolescence, such as their best known manga Nabari no Ou. Their latest manga looks at LGBTQ identity, informed by their experience as nonbinary and asexual. Since this is an “introduction,” I will avoid spoilers for these manga. Some developments and reveals will be discussed, but nothing that would ruin your experience if you want to read them for yourself.
Originally I followed her for her self-published story, Best Friends Forever, or BFF. Yesterday, she announced its end before its narrative completion. I could touch on many topics related to her announcement but I’d rather talk about the webcomic itself and what it’s meant to me.